

I am proficient in both Final Cut and Avid as well as basic camera skills. To explain, this ensures that all material meets your quality expectations. Playback your clips natively in different resolutions and optionally monitor the image via HD-SDI. Furthermore tremendous research and problem solving skills are further qualities I pride myself on. Silverstack enables you to detect image errors directly on set, which prevents costly surprises in post-production. I possess excellent communication skills and I am good with people. CRMs not importing Corrupted files after offload with Silverstack. Silverstack facilitates the way through the jungle of formats. Silverstack is the central ingest station and the overall information center. Beside the existing support for the ARRI Alexa, RED and H. It is also available on next gen Cinema EOS models, the C300 mark III and C500 mark. Silverstack’s copy speed is crucial at all production stages. With this new update, Pomfort extends Silverstack SET for the requirement to facilitate the handling of a further camera format from Canon at the filmset. I have experience of designing workflows for a vast array of projects and formats and look to create quick workflows to avoid shooting bottlenecks whilst maintaining the 100% integrity of safely backing up everything that is shot! I also have experience of filming and designing workflows abroad. Silverstack SET also includes the unique opportunity to preview recorded Canon specific C-Log media files in Rec.709. It is of the utmost importance that a shoot's footage should be backed up in the securest ways possible (be it a short film to a multi-million pound feature film and everything in between) consequently I take great pride in attention to detail and maintaining that every piece of data is safely backed up and clearly organised and accessible for the edit team.

With this in mind I have began to assemble my own mobile Thunderbolt capable DIT/Data Management solution and look to expand this in the future in order to work on as many exciting projects as I can with a high standard of quality work. With a wealth of experience of utilizing various different cameras and workflows I feel it is now time that I branch out and share this knowledge as a freelance DIT and Data Manager.
#C300 SILVERSTACK SOFTWARE#
SoftwareĬinema 4D, Redshift, Houdini, Realflow, Nuke, After Effects, Premiere, Photoshop, Illustrator, and Silverstack are just a few software packages I use daily.For the past few years I have worked at a major North Eastern post-production house as a DIT, Data Management Technician and Assistant Editor. I’m a sucker for all image creation devices. I shoot mostly on ARRI ALEXA MINI & LF MINI, RED, C300 MkII, and VariCam. Filmfrderungen: Deutscher Filmfrderfonds - DFFF de - Produktionsfrderung: 210.600,00 FFA Filmfrderungsanstalt de - Verleihfrderung: 30. Experienced with Arri, RED, DXL2, Sony FS7, C300, A7s, DSLRs, Davinci, Silverstack, ShotPut, Premiere. I try to get behind the lens as much as possible. Great with supporting, troubleshooting and improvising. I am an active contributor to RENDEREDUNCONSIOUS Instagram page. cart with custom monitor mounts Expandable / Upgradable / Customizable.

#C300 SILVERSTACK PRO#
The experience of building a small team, render farm and connecting with local vendors ultimately catapulted my career as a Minnesota artist.Ĭurrently, I work and live in Minneapolis where I enjoy biking, camping, photography, and Exploring international culture through food and conversation. ShotPut Pro & Pomfort SIlverstack Fujifilm IS-Mini LUT box for live grading 12Tb RAID 5 Storage (USB3) Gigabit LAN with WiFI iPad base control surface 23 Flanders Scientific LED Monitor (Calibrated) 27 Dell IPS Monitor Magliner Jr. I studied Visual Effects and Motion Graphics at The Art Institute International Minnesota, and started my career off at Target Corporation where I created content for Channel Red, national meetings, as well as the Corporate headquarters LED screen a prominent fixture of the Minneapolis skyline. Animation, Visual Effects, and Cinematography are how I make a living, while Photography, Podcasting, Mentoring, and Travel fuel my creative tank. Ever since then, I have been making things move one frame at a time. Shotput Pro, Hedge and Yoyotta all hit the same price-points there abouts around £150, and all effectively do the same thing. My first stop motion animations were created using Legos and G.I. Silverstack being by far the most featured, but it has a timed license, which can add up if youre not on a project with that budget in mind. Moving imagery has always been my passion.
